Showing posts with label The Rock (film). Show all posts
Showing posts with label The Rock (film). Show all posts

Monday, November 15, 2010

Buckle Your Seatbelts: Opening credits analysis of The Rock

In the opening credits of the film The Rock we see a flurry of images among the names of the star-studded cast of Nicholas cage, Sean Connery, and others. To the untrained viewer this may look like another Michael Bay montage of fiery dramatic imagery simply for the purpose of gearing up the viewer for the thrill ride that is The Rock. But this dramatic imagery does indeed have a purpose.

This purpose being to inform the viewer of General Francis X Hummel’s motivation for taking 81 unsuspecting tourists hostage on the uninhabited island of Alcatraz. As the credits begin we see a grey ominous sky followed by dark figures in a smoke filled room. These first two images present a gloomy yet tension filled mood and set the stage for a tale of regret and sorrow. Next we see marching soldiers folding a flag, indicating that a military man or men have died. One by one we receive bits of information that progressively increase in clarity. In the next frame our protagonist is seen vigorously standing up from a seated position while radio communication concerning the rescue of troops behind enemy lines becomes audible. This indicates the connection between the dead military men and general Hummel, as they were once his troops who are now in some kind of trouble but cannot receive any help due to commands superior to Hummel’s. In addition, General Hummel’s ascension from his seated position foreshadows Hummel’s decision to take a stand for the marines who gave their life during combat

Putting all the pieces together we know now that something unjust happened to military men against the will of General Hummel that resulted in their deaths and now General Hummel plans to take action. This intro gives us some abstract knowledge of the motivations for Hummel’s actions, without giving away too much information. This keeps the viewer buckled in for the ride that is The Rock.

~W.H.

Tuesday, November 9, 2010

The Rock: Overdramatized, but Realistic Representation of Alcatraz?

Many parts of the movie, The Rock (1996), are overdramatized, unrealistic, and fictionalized in order to create a greater appeal to an audience. However, even so, many pieces of this movie portray Alcatraz as the place of incarceration and torture that it is still remembered as today. In the second half of the movie, an FBI team, including convict Mason and biochemist Goodspeed, infiltrate Alcatraz in an attempt to prevent the Marines from launching the VX gas rockets into San Francisco. This leads to misunderstanding and unnecessary shooting, which culminates in the death of everyone on the island, except for Goodspeed, Mason, and the hostages. Although conveyed in an exaggerated manner, several scenes from The Rock draw parallels to the actual conditions of this infamous island.

For example, in the scene when the FBI team gains access into Alcatraz and the Marines and FBI members all have their guns aimed at one another, Commander Anderson says, “You are under oath as United States Marines. Have you forgotten that?” This scene parallels the real-life circumstances at Alcatraz by illustrating how people are driven to insanity, which results in a multitude of unnecessary deaths. Ironically, General Hummel says, “No one has to die here.” However, the FBI team and the Marines begin shooting at one another until the entire FBI team is dead, except for Goodspeed and Mason. This is analogous to how the horrific, injustice conditions of Alcatraz drove inmates to take extreme measures to escape from Alcatraz, which often ended in death or further torture.

In addition, the harsh conditions of Alcatraz drove prisoners to take significant risks because they had nothing to lose, just as at this point, the Marines have nothing to lose no matter what occurs on the island. Near the end of the movie, when the Marines decide that it is time to launch the rockets into San Francisco, Hummel sends the first one off-track so that no one is harmed. However, this causes the other remaining Marines to turn against him, because they argue that they have already come this far so they need to carry out their original plan.

Furthermore, the idea of unpreparedness, which is illustrated in our other texts and movies, seems to be prevalent in the plot of The Rock. Although initially the plan appears sound and carefully thought-out, it ultimately results in a chaotic mess. The idea propelling the takeover of Alcatraz was reasonable, but the actions taken to convey this message were not the best, as also seen in Like a Hurricane.

~A.B.

Monday, November 8, 2010

How does one weigh human life?: The Rock and Humanity

Aside from the outrageous car chases and gun battles particular to all Michael Bay films, I felt that the movie The Rock (1996) also offered some insightful moments on life and the human condition. During the President’s speech toward the end of the movie, he posed the question: “How does one weigh human life?” While this question has divided philosophers throughout the ages, this movie offers an opinion along the lines of not judging a book by its cover.

For example, if we were take Mason (Sean Connery’s character) at face value, we’d see a grimy convict and former inmate of Alcatraz who, at one time possessed the power to blackmail the American government. Any random person on the street would probably say that he deserves to be in prison for the rest of his life. If we were to assess General Hummel in the same fashion, we’d find one of the finest war heroes America has ever seen, receiving multiple purple hearts and the Congressional Medal of Honor.
The point behind these assessments is because their roles are reversed in this film. In The Rock, the war hero is the one terrorizing America, and the lives of millions of people are dependent upon a team of soldiers led by a convict. In one particular scene of the movie, Mason is walking down Broadway, where all the hostages are imprisoned. The hostages are reaching out of their cells towards him, asking for help from this man who, in another circumstance, they would all gladly condemn to their same holding
cells. I think this scene shows that every human being is capable of good, even if his or her reputation speaks otherwise. So while there are several different ways people try to weigh one human life against another, the solution this film proposes is that it shouldn’t be done. Even the best of people are capable of evil, and a hero could be found in the most unlikely of places or circumstances.

-M.H.

Thursday, November 4, 2010

Reflections on The Rock (1996)

The Rock (1996) is an action-filled movie starring Nicolas Cage (as Stanley Goodspeed), Sean Connery (as John Mason), and Ed Harris (as General Hummel). The plot revolves around Stanley and Mason trying to disable the highly dangerous VX rockets to prevent General Hummel from bombing San Francisco and killing 80,000 people.

Throughout the movie, I wondered why the British intelligence would send a spy to dig up the dirt on US government. I also wondered how Mason retained his ability to make normal conversation with others, and also how he retained his athletic/physical abilities locked up in a prison. He seemed to be in a pretty amazing shape even for his age. Knowing that Mason knows all the dirty secrets about the US government, they probably didn't let anyone talk to him. One would think that someone locked up in a solitary confinement for decades would be driven insane long time ago. Even Al Capone was driven insane after only few years in Alcatraz.

When I began watching the movie, I was not expecting a Hollywood action movie about weapon of mass destruction. I was rather fascinated by the chemical bomb and the biochemist Stanley's job. Although his job isn't exactly something that I would want, I envy his passion for biochemistry. I just hope that I don't hate biochemistry in the coming years, because it sucks to take classes that you hate.

I thought the occupation of Alcatraz by the Marines was rather unrealistic and incredible for the most part. Threatening the government with WMA was even more surprising. Their cause was understandable, and it is a great pity that the general's men died a tragic death, but really, I don't quite see how that leads to blackmailing the government to pay the dead soldiers' families by threatening to kill 80,000 innocent people. As Mason said, I think the General Hummel is "a f***ing idiot." I think they had better chance of getting what they wanted if they had not threatened the San Francisco City with WMA. In a sense, the situation is reminiscent of the Indian occupation of Alcatraz; like the Indians, the Marines had a good cause, but they were too idealistic. Their demands were unrealistic, and the occupations ended up as huge fiascos.

~J.K.

"The Rock" versus The Rock

I did not understand the meaning of the title, "The Rock", when I first watched the movie. With no information on Alcatraz, I did not pay any attention to the role of the island in the film. To me, it was just some island where the story takes place. After studying about The Rock through different books and films, the island really stood out to me after I watched the movie for the second time. Not only does The Rock provides a foundation for the story to take place, it also constructs the frame of the movie and links the plot together. The similarity and difference between The Rock in the movie and The Rock in real life provide a different angle to take an in-depth look at the movie.

The Rock symbolizes fear. The image of The Rock is equally gruesome in both real history and in the fictional movie. In history, The Rock was a place that confines the most notorious inmates in the States. It is known to the citizens nowadays, that inhuman treatment to the prisoners used to take place on this island. In the movie, The Rock is a place that causes death. It is the base for a group of terrorists who threaten to kill millions of people in the San Francisco Bay Area. In both cases, The Rock is a place that generates fear, torture and possible death.

The Rock serves as a "warning". From the 1930's, this Federal Prison warns citizens not to commit crime, otherwise they would spend years in this horrible place. The Rock is still a kind of warning in the movie. But this time, it is a warning to the government. General Hummel uses the island to warn government that it has to do what he orders, otherwise millions of death would occur.

The Rock is place for protest. Both the Indians and General Hummel attracts attention from the government by occupying the island. In history, The Indians occupied the island to protest for their rights and lands. On the other hand, General Hummel uses the island to protest against injustice in military and government. He uses the island to deliver the message that injustice has to stop.

There are also differences between the role of The Rock in history and in the movie. Historically, The Rock housed dangerous prisoners. But in the movie, The Rock holds innocent civilians as hostages. In addition, the Rock is supposed to be a place to stop or decrease crime. Ironically, in the movie, The Rock is a place that serves as a foundation and base for crime. The exchange between good and evil makes the movie more
complex and interesting.

At the end, The Rock faces the same fate: It gets abandoned by the government. The government closes down the Federal Prison in the 1960's. In the movie, the government orders bombardment to The Rock in order to destroy the rockets and save lives. Probably it is true that "Alcatraz is no good for nobody." In both cases, The Rock fails to serve the purpose and goals that the administrators and occupiers originally want to achieve.

~T.Q.

An Analysis of the Characters in The Rock

After looking past the numerous, and unrealistic, action scenes, one issue struck me as particularly interesting. Conformity is a subtle theme revealed throughout the course of this film. General Francis Hummel, agent Stanley Goodspeed, and FBI director Wommack all fit roles which appear to be in line with the conditioning they received from serving in military and government roles. Despite his disillusionment with the American government, Hummel, a renowned war hero, is driven by moral certainty and cannot bear to kill the lives of innocent citizens. He is proud of the service he has rendered his country and therefore cannot truly turn against it and the lives of the citizens he fought to protect. Goodspeed portrays the typical nerdy scientist whose only combat knowledge came from the brief field training he received in order to become an FBI agent. Thrust into the deep end, he is forced to learn quickly or thousands of innocent people will die. Director Wommack’s role is synonymous with that of many upper level politicians. He is hot-headed, malicious, and oblivious to the feelings of others. With a constant snarl on his face, it is easy to disapprove of his stubborn attitude.

The sole exception to these conformist roles is John Mason. A former British agent, he opposes the American government and is consequently punished for it. Instead of following every order he is given, he is apparently disillusioned by some aspect of government and steals its deepest, darkest secrets. Despite all this, he never appears to be the lethal, cold-blooded killer who is so dangerous, he technically does not even exist. Rather, he is solely the victim of having too much knowledge of government’s covert operations.

In addition, we are able to see the emotional and compassionate sides of each character before the action begins. Hummel makes sure that all children are off the island before beginning his takeover and Goodspeed shows his concern for his pregnant girlfriend and their unborn child when being assigned a role in the mission to land on Alcatraz. Also, Mason still cares about his daughter that he has never meant; she was the driving force behind his will to escape from The Rock in the first place. In contrast to these characters, Wommack is shown as a heartless, self-centered individual who has little respect for others.

~A.B.